There is no open position, and typically feet stay close to the floor, except in dips the follower might slightly raise the left leg.
An ending to a basic pattern similar to a half of a box step.
Enrosque — From enroscar - to coil or twist: The opposite of crossed feet. See Derecho and Eje. The man steps forward right in outside right position keeping his upper body turned toward the lady in contra-body, the lady back left paralleling the man and also in contra-body.
See FiruleteLapiz and Rulo. Dips and rotations are typical. A sweeping circular motion of the leg similar to a ronde in ballroom but always danced in contact with the floor, never lofted. The American Ballroom Tango's frame is flexible too, but experienced dancers frequently dance in closed position: The man steps forward left inside his partner to her centerthe lady back right.
P Paicas — A lunfardo word for girl. A common figure in Milonguero- or Club-Style Tango which is designed to allow interpretation of rhythmic music while dancing in a confined space.
This was the style before the turn of century when tango was danced on dirt surfaces in the patios of tenements, low-class taverns, and on the cobble stone streets. I Inclinada — Tilt, tilting. In American Tango open position may result in open breaks, pivots, and turns which are quite foreign in Argentine tango and International English tango.
Rhythmic toe taps to the floor done with the toe, or point, of the shoe while the foot is moving over the floor in a sweeping movement as in boleo or planeo. Pasada — Passing over.
Describes a movement done on either foot, pivoting forward of backward, and going either left or right. In Tango from the River Plata region, the "close embrace" involves continuous contact at the full upper body, but not the legs. The tango is danced in very close full thigh, pelvis and upper body contact in a wide and strong frame, and features smooth horizontal movements that are very strong and determined.
Potranca — A young female racehorse: Media Vuelta is used by itself to change direction or maneuver on the dance floor and as an entrance to many combinations. Parallel Feet — The natural condition when a couple dance in an embrace facing each other, the man stepping on his left, the lady on her right foot, and then the man stepping on his right, the lady on her left foot, regardless of direction.It's official.
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